After Balalaika Noise, the next obvious step was Goosli Noise, merciless, furious and primordial noise played on Soviet children's goosli with a contact mic attached, a discovery of 2007 and later probably the most acknowledged West-oriented, matryoshka-style project of mine, as performances outside of russia were becoming more and more successful with time, along with the ones inside more and more failing (with a few exceptions like some of the gigs at Ruskomplekt and maybe once at Petrozavodsk, not really russia though). In s strange way, the very same year Goosli Noise appeared on 2 net compilations, despite all my contempt for this format: on the renowned Australian label Smell The Stench and native Aunt Mary Compilation, which included the whole first (anonymous) album. In the beginning of 2008 the first tour to Denmark took place, and a couple of months later the one over Slovakia, Slovenia and Hungary. The next, even crazier tour of 2010 over Greece (where the same model of goosli turned out to be almost in every house), Bosnia and Herzegovina, Slovenia and Italy is described in my book Travels (Cherry Publishers, 2019).